What John Wells Doesn't Want You To Know

Introduction

And what has been Petrie, Jr.’s greatest fear that you would find out about one day is primary use.

Well, Petrie, Jr., that day is here.

What has been concealed from us for ten years now, and what has, and here we go again, been concealed from both Judge Morrow in Federal court and Judge West in superior court are the monies that are collected for us when our work is exhibited theatrically in certain foreign countries. Yes, that’s right, monies collected at the box office.

Primary use also includes monies collected from television broadcast stations and cable and satellite operators.

Last December, when so many here in this city were celebrating scaled-down holidays, hoping that the WGA and the AMPTP would, soon after the New Year got underway, reach an agreement, the officers of the WGA, Verrone, David Weiss and Elias Davis, Executive Director David Young, and WGA counsel, Ann Migden Widdifield (CSB No. 130049), Anthony R. Segall (CSB No. 1013430), and Countess Williams (CSB No.163928) and their alleged adversary Nick Counter were celebrating the successful renegotiation of the secret primary use giveaway.

While members were without salaries, we paid Hadl to unlawfully barter away our rights under these laws, rights they have hidden from us and from both federal and state court.

Signing along with David Young, and this isn’t pretty, was the MPA.

A union contract signed by Young and, among other foreign entities, Charlie Bludhorn’s brainchild, the ‘Dutch sandwich’ Universal International Films, Inc. The following is one of the primary use agreements.

It really needs no explanation.

The betrayal is palpable.

A betrayal first set into motion by Petrie, Jr., John Wells and Michael Mahern.

Finally, as you read it, know this, that in over seventeen years of primary use collections for such films as TITANIC, the LORD OF THE RINGS trilogy, the PIRATES OF THE CARIBBEAN trilogy, FINDING NEMO, TOY STORY, PRETTY WOMAN, and you know the rest, not one peso of the monies from Mexico has ever been paid out by the Guilds. In Mexico, the authors share includes the director of photography.