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LAW OFFICES OF STEVEN J. KAPLAN, PC

Steven J. Kaplan (SBN 83451)

11377 West Olympic Boulevard, Suite 500

Los Angeles, California  90064-1683

(310) 312-1500 Telephone

(424) 652-2221 Facsimile

sjkaplan@sjkaplanlaw.com

 

LAW OFFICES OF JEFFREY WINIKOW

Jeffrey Winikow (SBN 143174)

11377 West Olympic Boulevard, Suite 500

Los Angeles, California  90064-1683

(310) 479-0070 Telephone

(310) 229-0912 Facsimile

jwinikow@yahoo.com

 

Attorneys for Objectors Stefan

Avalos and Art Eisenson

 

ERIC HUGHES

[ADDRESS

DELETED]

 

Objector Seeking Intervention Status

 

 

SUPERIOR COURT OF THE STATE OF CALIFORNIA

 

COUNTY OF LOS ANGELES

 

 

 

 

 

WILLIAM RICHERT, et al.,

 

Plaintiffs,

 

vs.

 

WRITERS GUILD OF AMERICA WEST, INC., et al.,

 

Defendants.

 

 

RELATED OBJECTIONS AND MOTION FOR INTERVENTION

 

    

 

Case No: BC339972

 

Hon. Carl J. West, Dept. CCW-311         

OBJECTORS EISENSONS & AVALOS & INTERVENOR / OBJECTOR HUGHES NOTICE OF INTENT TO SEEK CONTINUANCE AT FINAL APPROVAL HEARING

 

 

 

 

Approval Hearing:

Date: Tuesday, March 9, 2010

Time: 9:00 a.m.

Dept.: CCW-311

 

                                      

 

 

 

 

 


TO ALL PARTIES, OBJECTORS AND THE COURT:

PLEASE TAKE NOTICE that it is the intention of Objectors Art Eisenson and Stefan Avalos, and Objector Eric Hughes (whose motion to intervene is pending) (collectively, “Objectors”), to appear at the regularly scheduled Final Approval Hearing, currently set for March 9, 2010, and seek a continuance to give them time to file a Reply Memorandum addressing many of the outstanding issues left unresolved by the parties’ Motions for Final Approval. 

The Court’s briefing order did not provide an opportunity for objectors to respond to the Motions for Final Approval, but given the uniqueness and complexity of the issues raised on the Objections and Motions, Objectors believe the Court would benefit from such a Reply Memorandum. 

 

                                 REASONS FOR REQUESTED CONTINUANCE

There are several reasons why Objectors seeks this continuance, but chief among them are:

(i)     To respond to the parties’ negative and incorrect characterization of Objectors as opposing the very notion of collective administration of foreign levy royalties.

(ii)    To afford Objectors time to try to resolve any disagreements that the parties currently have concerning factual issues which may be capable of resolution on an informal basis.  (For example, Robert Hadl asserts that there already exist collecting societies that receive and distribute the Authors Share of adult films, and Objectors are unaware of any such entities in the United States); and


(iii) To afford Objectors a reasonable opportunity to respond to some of the factual and legal points raised in the moving papers – especially because in several instances plaintiffs and the WGA contradict each other and the Court should not approve any settlement in which the warring factions themselves do not agree as to the meaning of the settlement or its ramifications.

(iv)   Finally, because the parties acknowledge that the current Release is or may be construed to be excessively broad with respect to claims against employers and involving primary rights (Plaintiff’s Motion, p. 22:14-16; WGA Motion, p. 10:10-22.), Objectors would welcome an opportunity to work with the parties to try to address those issues relating to the Release.

As things stand now, holding a hearing only one week after service of the final approval papers prejudices the ability of the Objectors to place all relevant issues and evidence before the Court for its fairness review.

 

                                                           OFFER OF PROOF

As an offer of proof showing why good cause exists for granting a reasonable continuance, Objectors highlight some of these outstanding issues:

 

·           WGA now admits that it has contractually authorized MPA production companies to take 50% of the Foreign Levy royalties of non-covered writers, even though it has no representational status as to those writers such as it has for covered writers who worked under collective bargaining agreements.  This critical and complex issue deserves further briefing before any settlement authorizing this practice is approved.

 


·           The moving parties’ division of labor (WGA Motion, p. 5:14-18), in which the WGA asserted that it would address  “administration of the foreign levies program,” curiously left it to plaintiffs to defend the WGA’s alleged violation of California escheat laws.  Yet plaintiffs reluctantly confirmed that the WGA has kept undeliverable money rather than turned it over to California; more importantly, the proposed settlement would probably place the Court’s imprimatur on future violations of California escheat law.[1] 

 

·           The WGA argues that the Guild had to “wrest a share of the money from the studios.” Objectors would welcome an opportunity to explain to the court why this is incorrect, and that this distinction is critical to framing a fair settlement.  In fact, foreign levy royalties are payable only to Authors, not companies, because Authors Rights are not copyrights.  Authors Rights protect the rights of the original creator - the writer - while copyrights protect the “owners” of those rights - like production companies under a “work-for-hire” regime.  The WGA did not “wrest” the foreign levies from production companies; to the contrary, the WGA voluntarily assigned its members’ Authors rights (and the rights of non-covered writers with whom it has no legal relationship) to the production companies.[2]  Objectors believe the Court’s consideration of settlement would benefit from further briefing by all sides on this apparent attempt by WGA to put the cart before the horse.

 


·           Fundamental fairness requires that the Objectors have an opportunity  to respond to the false and defamatory barbs thrown by plaintiffs’ counsel Neville Johnson against Mr. Hughes.  We believe that it is completely inappropriate for Mr. Johnson to have made this battle “personal,” but now that he has, Mr. Hughes should be given an opportunity to clear his name and ensure that the final record in this case is not one-sided. The same applies to Art Eisenson, whose motives were wrongfully and unnecessarily impugned.

 

·           Contrary to the statement made in the Plaintiff’s Motion for Final  Approval  regarding  a “presumption” of  fairness  in light  of  the  preliminary  approval,   no  such  presumption attaches because the parties expanded  the  settlement  class beyond that which was preliminarily approved by the Court.

 

·           Below is a list of inconsistencies and contradictions between plaintiffs and the WGA, within the WGA motion itself, or in one  case  between  plaintiffs and  IATSE 839,  in  how  they responded to issues raised by Objectors.Objectors would like an  opportunity  to discuss the impact of these contradictions on any proposed settlement.

 

 

Plaintiffs’ Allegations                                  

 

 

 

WGA’s Allegations

 

The Release does not bar WGA members’ claims against their union - apart from claims for foreign levy royalties themselves.  (Pltfs’ Motion, p. 13:3-9.)

 

 

 

The Release bars WGA member’s claims against their union for violations of the federal LMRDA regarding ratification of the MPA-WGA Agreements.  (WGA Motion, pp. 10:23-11:4.)

 

 

WGA works with porn industry and original source material authors to ensure they receive foreign levy royalties.  (Pltfs’ Motion, p. 19:15-19.)

 

 

 

The WGA program does not include the adult film industry or authors of original source material.  (Hadl Decl., p. 8:17-22.)

 

 

The settlement does not entail judical approval of WGA’s alleged “right” to collect foreign levies for non-members.  (Pltfs’ Motion, p. 24:1-13.)

 

 

 

The settlement “affirms the [WGA’s] rights to collect and distribute [foreign levy funds for covered and non-covered writers].”  (FAQs attached as Exhibit C to Declarations in Support of WGA’s Motion [FAQ No. 1].)

 

 

 

 

 

In one case, the WGA contradicts itself. It says it never received and retained the producer’s share of foreign levy revenues.  (Hadl Decl., ¶ 3, p. 8:7-10.) Yet it also says some foreign collecting societies forwarded the producers’ share directly to the WGA, which escrowed the funds.  (Id., p. 3, p. 8:13-15.)

 

 

 

 

 

In another, WGA says it does not make claims but distributes only such money as it receives, yet its discussion regarding AWGAC’s Opposition asserts that there are “conflicting claims.” (WGA Motion, p. 14:12-16.)

 

Plaintiffs allege that the WGA has been working with IATSE Local 839 (Animation Guild) on foreign levies.           

 

 

 

The WGA remains curiously silent on this issue (even though it involves WGA’s activities), but obviously, Local 839 dissents and has joined in the Objections.

 

                                                               CONCLUSION

Objectors seek to augment the record with additional argument and objective evidence (such as can be procured outside formal discovery) so that the Court can better assess the merits of the Objections.  Objectors also seek to trim away issues through mutual negotiation over the Release (if the parties are willing to do so).  Objectors are unable to do this, however, under the truncated time frame established by the current schedule, and thus ask for a reasonable continuance and further briefing schedule.


 



[1]           Attached hereto as Exh. A is a page from the WGA’s own LM-2 from 2003 found on the U.S. DOL website) showing that WGA adopted a policy for money of writers whose identities are known of “transferring all funds undeliverable after seven years into the Guild’s treasury to defray the costs of Guild operations,” in what seems like an incontrovertible violation of the California’s Unclaimed Property Law.

[2]           For example, the Hadl declaration talks about a “producers share,” but analysis of the Collecting Society Agreements shows that there is no such thing as a “producers share” of an Authors share except insofar as it is created by the WGA’s own agreement (in the MPA-WGA Agreements) to deed money over to the producers.

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