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LAW OFFICES OF STEVEN J.
KAPLAN, PC Steven
J. Kaplan (SBN 83451) 11377
West Olympic Boulevard, Suite 500 Los
Angeles, California 90064-1683 (310)
312-1500 Telephone (424)
652-2221 Facsimile sjkaplan@sjkaplanlaw.com LAW
OFFICES OF JEFFREY WINIKOW Jeffrey
Winikow (SBN 143174) 11377
West Olympic Boulevard, Suite 500 Los
Angeles, California 90064-1683 (310)
479-0070 Telephone (310)
229-0912 Facsimile jwinikow@yahoo.com Attorneys
for Objectors Stefan Avalos
and Art Eisenson ERIC
HUGHES [ADDRESS
DELETED]
Objector
Seeking Intervention Status SUPERIOR COURT OF THE STATE OF CALIFORNIA COUNTY OF LOS ANGELES
TO ALL PARTIES,
OBJECTORS AND THE COURT: PLEASE TAKE NOTICE
that it is the intention of Objectors Art Eisenson and Stefan Avalos, and
Objector Eric Hughes (whose motion to intervene is pending) (collectively,
“Objectors”), to appear at the regularly scheduled Final Approval Hearing,
currently set for March 9, 2010, and seek a continuance to give them time to
file a Reply Memorandum addressing many of the outstanding issues left
unresolved by the parties’ Motions for Final Approval. The Court’s
briefing order did not provide an opportunity for objectors to respond to the
Motions for Final Approval, but given the uniqueness and complexity of the
issues raised on the Objections and Motions, Objectors believe the Court would
benefit from such a Reply Memorandum. REASONS
FOR REQUESTED CONTINUANCE There are several
reasons why Objectors seeks this continuance, but chief among them are: (i) To respond to the parties’ negative and
incorrect characterization of Objectors as opposing the very notion of
collective administration of foreign levy royalties. (ii) To afford Objectors time to try to resolve
any disagreements that the parties currently have concerning factual issues
which may be capable of resolution on an informal basis. (For example, Robert Hadl asserts that there
already exist collecting societies that receive and distribute the Authors
Share of adult films, and Objectors are unaware of any such entities in the
United States); and (iii) To afford Objectors a reasonable opportunity to
respond to some of the factual and legal points raised in the moving papers –
especially because in several instances plaintiffs and the WGA contradict each
other and the Court should not approve any settlement in which the warring
factions themselves do not agree as to the meaning of the settlement or its
ramifications. (iv) Finally, because the parties acknowledge that
the current Release is or may be construed to be excessively broad with respect
to claims against employers and involving primary rights (Plaintiff’s Motion,
p. 22:14-16; WGA Motion, p. 10:10-22.), Objectors would welcome an
opportunity to work with the parties to try to address those issues relating to
the Release. As things stand
now, holding a hearing only one week after service of the final approval papers
prejudices the ability of the Objectors to place all relevant issues and
evidence before the Court for its fairness review. OFFER
OF PROOF As an offer of
proof showing why good cause exists for granting a reasonable continuance,
Objectors highlight some of these outstanding issues: · WGA
now admits that it has contractually authorized MPA production companies to
take 50% of the Foreign Levy royalties of non-covered writers, even though it
has no representational status as to those writers such as it has for covered
writers who worked under collective bargaining agreements. This critical and complex issue deserves
further briefing before any settlement authorizing this practice is approved. · The
moving parties’ division of labor (WGA Motion, p. 5:14-18), in which the WGA
asserted that it would address
“administration of the foreign levies program,” curiously left it to
plaintiffs to defend the WGA’s alleged violation of California escheat
laws. Yet plaintiffs reluctantly
confirmed that the WGA has kept undeliverable money rather than turned it over
to California; more importantly, the proposed settlement would probably
place the Court’s imprimatur on future violations of California escheat law.[1] · The
WGA argues that the Guild had to “wrest a share of the money from the studios.”
Objectors would welcome an opportunity to explain to the court why this is
incorrect, and that this distinction is critical to framing a fair
settlement. In fact, foreign levy
royalties are payable only to Authors, not companies, because Authors Rights
are not copyrights. Authors Rights
protect the rights of the original creator - the writer - while copyrights
protect the “owners” of those rights - like production companies under a
“work-for-hire” regime. The WGA did not
“wrest” the foreign levies from production companies; to the contrary, the WGA
voluntarily assigned its members’ Authors rights (and the rights of non-covered
writers with whom it has no legal relationship) to the production companies.[2] Objectors believe the Court’s consideration
of settlement would benefit from further briefing by all sides on this apparent
attempt by WGA to put the cart before the horse. · Fundamental
fairness requires that the Objectors have an opportunity to respond to the false and defamatory barbs
thrown by plaintiffs’ counsel Neville Johnson against Mr. Hughes. We believe that it is completely
inappropriate for Mr. Johnson to have made this battle “personal,” but now that
he has, Mr. Hughes should be given an opportunity to clear his name and ensure
that the final record in this case is not one-sided. The same applies to Art
Eisenson, whose motives were wrongfully and unnecessarily impugned. · Contrary
to the statement made in the Plaintiff’s Motion for Final Approval
regarding a “presumption” of fairness
in light of the
preliminary approval, no
such presumption attaches because
the parties expanded the settlement
class beyond that which was preliminarily approved by the Court. · Below
is a list of inconsistencies and contradictions between plaintiffs and the WGA,
within the WGA motion itself, or in one
case between plaintiffs and IATSE 839,
in how they responded to issues raised by
Objectors.Objectors would like an opportunity to discuss the impact of these contradictions
on any proposed settlement.
CONCLUSION Objectors seek to augment the record
with additional argument and objective evidence (such as can be procured
outside formal discovery) so that the Court can better assess the merits of the
Objections. Objectors also seek to trim
away issues through mutual negotiation over the Release (if the parties are
willing to do so). Objectors are unable
to do this, however, under the truncated time frame established by the current
schedule, and thus ask for a reasonable continuance and further briefing
schedule. [1] Attached
hereto as Exh. A is a page from the WGA’s own LM-2 from 2003 found on the U.S.
DOL website) showing that WGA adopted a policy for money of writers whose
identities are known of “transferring all funds undeliverable after
seven years into the Guild’s treasury to defray the costs of Guild operations,”
in what seems like an incontrovertible violation of the California’s Unclaimed
Property Law. [2] For
example, the Hadl declaration talks about a “producers share,” but analysis of
the Collecting Society Agreements shows that there is no such thing as a
“producers share” of an Authors share except insofar as it is created by the
WGA’s own agreement (in the MPA-WGA Agreements) to deed money over to the
producers.
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